Showing posts with label vampire victim. Show all posts
Showing posts with label vampire victim. Show all posts

Tuesday, June 2, 2015

1895 The Vampire by Paul De Kock review

This heart is a piece of wall art at the Victoria and Albert House, Portland, OR
 Introducing The Vampire: A Story of Love and Passion,
 by Paul De Kock (1895)

A year ago I had the privilege of spending time in the British Library where they have one of the most fantastic collections of material in the world (in my opinion, mind you). While there I was allowed to read a variety of vampire themed material which is not yet readily available online, including those I've already posted about, and: The Vampire: A Story of Love and Passion, by Paul De Kock. Since one of my interests is in the use of the term vampire as a metaphor for people who suck the metaphoric life from others, reading this was ... cool.

It is indeed the story of "love and passion" as the author states, but in this case the passion of the lovers are closer to obsession, which allows for truly co-dependent, vampiric relationships.

The story begins with an illicit relationship between a male composer and his mistress. Now the mistress part was just fine back in those times, no one looked askance at the man having a mistress, in fact he stayed with her quite happily for many years. It was a relationship which didn't impede his musical output or his career. He had quiet evenings at home with her and all of his friends were quite fond of her as well. Then, enter the vampire.

The vampire took his time and attention away from his musical career which was a very bad thing as far as his friends were concerned. Eventually, the scorned long-term mistress came to his friends and asked for their aid in rescuing her lover from the evil clutches of the vampire. 

After much roundaboutation, the mistress decided that she was bored with the composer -- and he was running short of funds to keep her in style anyway. She moved on to another man and the composer went back to his mistress a broken man.

Was she a real vampire?







Wednesday, June 25, 2014

Making the Grade: Writing Papers that Earn an "A" (the D Paper)



Making the Grade: Writing Vampire Papers

Grades. We all work for them, and all want to believe that without any effort on our own part, we will earn high grades in every field we endeavor to enter. Unfortunately, for most of us, it takes practice, practice, practice, AND … work

So what is the hidden code that makes one student paper an “A” paper while the next student paper – for a student who has written from the exact same prompt – garners only the dreaded “C,” and the student learns their work is really only av…er…a ge?

The answer really isn’t effort since a “C” student often works longer and harder than the “A” student. They just haven’t learned, yet, how to write to the instructor’s unwritten expectations. And often, sadly, refuse to actually read the damn texts which would teach them the specific skills they need, and inform them of the specific expectations. Not even if the material was written by the instructor of the course they are in, and can be expected to have relevant samples.

That said (rant ended), what exactly makes one response an A response and another a D response?

Let’s take a look at one of my assignments, worth four points towards a total of 190.

Write a short, think around 200 words – one paragraph -- convincing me you have indeed watched 30 Days of Night.  Be detailed, AND remember to mention director and film title.

Inasmuch as I tell my students exactly what garners an F: they get a list of issues, let’s work upwards from a D response. (Each student response is followed by where it has failed. I have fixed some of the typical grammar issues, and left other common ones.)

 ****

D Student: I watched the movie and I really didn’t like it. it was too dark for me to see what was happening half the time, and my boyfriend kept interrupting me and telling me it was too dark. I dont know why the people in the town didnt just leave, after all, there are roads, arne’t there? And why didn’t they fight back. If a vamire attatcked my house i would fight back. Alaska is cold. I disliked the movie because it was set there. And I really like vampires who are nicer to people and who dont go around trying to kill them. “30 days of night’ is a really terrible film because the vampires are mean. The point where the mean vampire tells the girl that there is no god, made me mad. It made me afraid to slep in the dark. To repeat myself, I really din’t like the movie.

Why is this bad? Can you come up with a list of mistakes? Note that it is a combination of badness that garners a “D” grade.
  • It focuses solely on the reader and not at all on the film under discussion.
  • The word “I” appears seven times in one-hundred thirty-five words. The word “I” in a college-level response is always problematical. “Why?” you ask. Because we want the focus to be on the item under discussion (and are uninterested in discussing you).  This is one reason why students should not use first person pronouns – in any form – in their formal responses. The viewer, the reader, people, a person, John Doe are all good alternatives which not only tell your instructor you are focusing outside your own reactions, but it forces you to format your response formally. And anything turned into an instructor for a grade: Formal. Dress it for Prom.
  • Capitalization is broken in major ways. “I” is always capital – something taught way back when in elementary school. To lower-case it in a formal paper turned in to an instructor goes beyond rude. It is student grade suicide. First lines always begin with a capital letter – again, student grade suicide.
  • There is little internal evidence at all that the movie was actually watched.
  • dont?  Really? Can’t even see the red-underline and right click to get the correct apostrophe?
  • It isn’t long enough – for which this reader would be very, very grateful. Would you want this to go on any longer?
  • All too often, a D paper has all sorts of off-topic information. And runs looong.
  • The basic sentence structures and punctuations are wonky.

All-together, wouldn’t you be happy this ended? The only reason this garnered a “D” with points instead of an “F” is the one line which does contain one small bit of evidence from inside the film, and unmentioned in most reviews – the “no God” comment.

So that is what the teacher sees when reading the D paper. While most D papers might not be quite so dreadful, a fair amount of what crosses my desk looks like it.


Friday, May 16, 2014

Vampire Paparazzi entry 1



 The life of a vampire paparazzi is a dangerous one. What you read here is the first of an occasional series of entries discussing my experiences as a vampire hunter; one armed not with stakes and holy-items, but with a camera. I am not quite certain which my target would prefer, being permanently ended, or being outed to the whole world.
@@@@@

Sometimes I just can't catch a break. Standing in the cold on a dark night in a lonely cemetery when I could be sitting in the pub tossing a few back with mates, is time I'll never get back. The only thing it does is keep my boss off my neck while I risk my own.

Yes, I knew, or so I thought, what I was getting into when I hired onto this gig. It looked like wine, women, and song -- easy money. I figured what with vampires all over the media they must also be all over the place. I figured all I'd have to do was park outside the blood-bank to catch one making a withdrawal. A point and click moment.

Instead, I spend my nights standing in the doorways of crumbing low-rent crypts waiting to catch a break, and praying to see sunrise.

16 May 2014

byline: L. Ormandy (AKA SweetGoth)
The UnNatural Enquirer